Cast & crew

The two rooms,
and everyone in them

One shoot. Two film makers who won't agree on anything. And the people who made both versions possible.

The two of them

Film Makers

Eileen Daly

Film Maker · The chaos cut · On screen as Mary Kelly

Eileen Daly

Four decades in British horror, and no permission asked for any of it. She debuted at sixteen in Soft Cell's “Tainted Love”, was trained by Fenella Fielding, and co‑founded Redemption Films — then became the face of it. Now she writes, directs, produces, edits and grades her own features. Razor Blade Smile, Cradle of Fear, Pervirella, Witchcraft X — 25+ features and counting. On Echoes of Crimson she directs the chaos cut and steps in front of the lens as Mary Kelly herself.

Jason Impey

Film Maker · The dark cut

Jason Impey

He picked up a camera at ten years old and has not put it down since — studying film formally, and teaching himself everything the course didn't cover. One of the most prolific names in British indie horror, he's also known for re‑cutting his own work into entirely new films, which is, in a roundabout way, exactly how this project started. He shoots and cuts out of Milton Keynes.

In front of the camera

Cast

Eileen Daly

The ghost‑hunting team · The Presenter · Mary Kelly

Eileen Daly

Four decades in British horror — Razor Blade Smile, Cradle of Fear, Pervirella, 25+ features and no permission asked for any of it. Here she fronts the ghost‑hunting show as its presenter, and steps back through time as Mary Kelly herself. Both ends of the story, one performer.

Nathan Head

The ghost‑hunting team · The Priest

Nathan Head

A familiar face in British indie horror — Dracula: Rise of the Vampire, Hellriser, Theatre of Fear, The Toymaker. Off‑camera, a paranormal presenter who fronted Apparitions (Prime, Tubi) and Cold Blood. Here he plays the show’s resident priest, and a bit of a charlatan with it.

Peter Jakeson

The ghost‑hunting team · Medium to the Stars

Peter Jakeson

Comedy or heavy drama, he’ll take either — but he thrives as the villain. Lead in the award‑winning The Hit, Gaffer in Cannes‑recognised The Take, Moriarty, and Dracula in Dracula: Rise of the Vampire, where he first met this crew. He plays the medium to the stars, the one who claims he can reach the other side.

Heather Waugh

The ghost‑hunting team · The Medium

Heather Waugh

Actor, former model, writer and voice artist. A national‑press glamour model at 19, retired at 36 — until a 40‑year friendship with Eileen pulled her back to the screen for She’s a Bitch. She returns as the team’s medium, reading the stones and the tarot.

Tricia Blades

The ghost‑hunting team · The Camera Girl

Tricia Blades

Thames Television, then crime reporting, then Teletext — where she ran Bamboozle. A childhood friend of Eileen’s, bonded young over true crime and Spiritualism. Camera Girl in She’s a Bitch, and camera girl again here. Calls herself a reluctant actress. She isn’t acting the Ripper obsession.

Kurt Dirt

Cast · Jack the Ripper

Kurt Dirt

Filmmaker, composer, musician and actor. He started out scoring for TromaReturn to Nuke ’Em High among them — before moving in front of the camera, where he’s built a name playing memorable villains in independent horror: Dracula: Rise of the Vampire, One Night in Rila. He directed the cult shot‑on‑video feature Life is Cheap, and when he isn’t on a set he’s touring internationally with disco‑punk band Hot Pink Sewage. Here he’s the man in the top hat — the one still walking the corridor when everyone else has failed.

Pauline Peart

Cast · The Voodoo Spiritualist

Pauline Peart

Miss Jamaica, then England in 1966, and within a few years a Hammer basement with Christopher Lee and Peter Cushing — a vampire bride in The Satanic Rites of Dracula, the last of the Lee Dracula run. The same year, Gloria Winch in Carry On Girls; later Arthur Lowe’s secretary in the Man About the House film, and Sean Connery’s girlfriend in Cuba. Gothic, comedy and thriller inside a single decade — and one of very few Jamaican‑born actresses of her era to take prominent roles in both British horror and British comedy, which is history whether the industry said so at the time or not. Here she’s the one they call when everything else has failed: a Voodoo spiritualist out of New Orleans, flown into a rotting Victorian house in East London because the priest, the medium and the tarot reader have all come up empty. She works the house. She cleanses it properly, room by room. And Jack is still there in the morning.

Behind it

Crew

Eileen Daly

Producer · Director · Writer · Editor

Eileen Daly

The origin of the whole thing. She wrote it, she’s producing it, she’s directing the chaos cut and she’ll cut and grade it herself afterwards — the way she has on every film she’s made. Co‑founder of Redemption Films, and the sixth entry in her I See the Dead series.

Jason Impey

Cinematography · Editing · Sound · Lighting

Jason Impey

The technical engine of the shoot — behind the camera, on the lights, running sound, and cutting the dark version afterwards. Also one of the two film makers. He wears every hat and drops none.

Rachel Impey

Assistant Director · Production · Promotion

Rachel Impey

The all‑rounder keeping the gears oiled and the cast & Crew on track. — assistant director on set, and behind the scenes the web, the marketing, the artwork and the promotion. If it needs doing, it lands with Rachel.

Robbie Drake

Special Effects Make‑Up · Prosthetics

Robbie Drake

Ten years of blood, latex and questionable life choices — creature design on The Unfamiliar, zombie‑splattering on Cockneys vs Zombies. If it needs a wound, a monster face, or a prosthetic that makes people uncomfortable, he’s your man. Practical, physical, and on set — not added afterwards.

Keith Skinner

Historical Consultant · Crime Historian · Author

Keith Skinner

One of the foremost authorities alive on Jack the Ripper and the history of Scotland Yard — and the man productions call when they want the 1888 right. He was historical consultant on From Hell and the BBC’s Ripper Street, and has written and co‑authored numerous books on true crime and Victorian history. He acted first: Romeo and Juliet, The Slipper and the Rose, Doctor Who, Jesus of Nazareth. Decades in both trades, and still respected in each.

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