Echoes of Crimson — One shoot. Two film makers. Two films.

Whitechapel, 1888. This time she holds the blade.

Echoes of Crimson poster — Mary Kelly beneath a mourning veil, a blood-red spectre bleeding through above her

Echoes of Crimson poster — the Ripper's silhouette standing in a blood-lit Whitechapel alley

“Jack the Ripper Vs Mary Kelly: The Movie of the Century” promises to be the ultimate cinematic thrill ride, where Victorian grime meets mind-bending mystery with a splash of dark humour. Imagine the notorious streets of London through the lens of a blockbuster that doesn’t just retell history but reimagines it with a twist so sharp it could cut through Jack’s infamous fog.

Mary Kelly isn’t just a victim here; she’s the queen of the plot, turning the tables on the era’s grim reputation with wit as deadly as any blade. If you’re ready for a movie that’s equal parts chilling, clever, and wickedly entertaining, then buckle up—it’s about to rewrite the rules of the Ripper tale forever.

One shoot, two film makers, two completely different films — and every backer walks away with both cuts. Get on the list for launch day, then back us on Kickstarter to claim your perks.

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Who dares make two cuts on one film?

Film maker · The chaos cut

Eileen Daly

Four decades in British horror, and no permission asked for any of it. She debuted at sixteen in Soft Cell's “Tainted Love”, was trained by Fenella Fielding, and co‑founded Redemption Films — then became the face of it. Now she writes, directs, produces, edits and grades her own features.

Razor Blade Smile — multiple awards, incl. Best B‑Film Actress
Cradle of Fear · Pervirella · Witchcraft X
25+ features · Eileen Daly Productions
Worked with Walken, McDowell, Siouxsie, Bradley

Website · Instagram · Facebook · YouTube · X · IMDb

Film maker · The dark cut

Jason Impey

He picked up a camera at ten years old and has not put it down since — studying film formally, and teaching himself everything the course didn't cover. One of the most prolific names in British indie horror, he's also known for re‑cutting his own work into entirely new films, which is, in a roundabout way, exactly how this project started.

Shoots and cuts features out of Milton Keynes
Film school trained · self‑taught with it
Prolific — a fixture of British indie horror
Long‑running collaborator with Eileen Daly

All Jason’s links (Linktree)

The film is happening no matter what, the shoot is booked, the cast is ready and chaos will ensue. What we make in the kickstarter will help us give you the best version we can.

We've put our own money on the line to shoot this in August — no commissioner, no permission. What's left is post‑production: two edits, two grades, two mixes, and the fight to get it seen.

Now

Kickstarter · Back us now for some amazing perks and help us reach our goal, even just sharing it with your fellow indie film lovers!